Jason Meyer Archives - WPRB History
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Jason Meyer

Radio Striptease on “The Magic of Radio”

Text: Marc Fisher ’80 | Photo: Rob Schuman ’74

The Magic of Radio was a late-night, sometimes all-night, program that aired once a week from about 1977 to 1980. It was a mix of music, juvenile nonsense, brilliant satire and pathetically bad taste.

We tried to stay as close to the legal and moral edge as possible. We had a weatherman with a speech impediment that rendered him entirely incomprehensible. We had a substitute weatherman who was sentenced to stand at an (imaginary) outdoor phone booth in Kingston whenever there was significant snow or, his personal favorite, freezing rain. We had a sports reporter who never once made it on the air; he always seemed to be delayed at a bar across the street. The news was read by Gus Gil, whose booming voice made the acts of a New Jersey state magistrate seem like the coming of the Lord.

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The Era of the Derek

[Text: Bill Rosenblatt ’83]

WPRB is one of a very few student-run radio stations in the country with a commercial license, meaning that it can sell airtime. The station has always sold ads, but the highest level of ad sales was undoubtedly the early-mid 1980s, and the man responsible for this was Derek Berghuis ’83 – a living legend in WPRB history.

Derek – his last name is pronounced “Berg-hice” – was drawn to WPRB by his brother Brian Berghuis ’81 and Brian’s friend Ashley Ellott ’80, respectively the station’s Business Manager and Station Manager, and all alums of the same prep school in Toronto, Canada. He got on air quickly during his freshman year as a member of the news department and as the “news sidekick” on a show called WPRB Weekend, which Program Director Jason Meyer ’80 did with Ellott and Derek as a commercial-sounding “chatty morning show” on Saturday mornings. WPRB Weekend left the airwaves when Ellott and Meyer graduated.  Derek did not find his position as Mercer County News Editor very exciting, so he switched to sales.

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WPRB at the DNC, Sting from the Police, and Freeform vs. Format

By Jordan Becker

I started at WPRB during the second semester of my freshman year in 1979. The ability to have the entire record library—and it was still all vinyl—at my disposal was intoxicating. Unless that was the fumes from the records.

At the time, the station’s rock programming was still very much beholden to the freeform model of the late 1960s-early 1970s. In fact, to my memory, the only requirement that we had was the obligation to play a certain amount of jazz during a rock show. That all changed, though, when Ashley Ellott became station manager, and Jason Meyer became program director. They attempted to turn the rock programming into something more consistent and more rock oriented. To me, there is something to be said for listeners having a general sense of what they might hear when they turn on the radio, and having some consistency from day to day and time slot to time slot theoretically results in listeners staying with the station for longer periods. On the other hand, they also insisted that we use the slogan “Your Music,” which was generally reviled—it might have worked at a professional commercial station, but was a bad idea for a college radio station.

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