Chuck Steidel Archives - WPRB History
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Chuck Steidel

(Re-)Introducing WPRB’s 1980s House Band: The Funstigators!

By Steve Buratowski ’84

DOWNLOADS: The Complete Funstigators WPRB Tapes (.zip file) and the original Funstigators bio (.pdf)

One by-product of WPRB in the early ’80s was a band called the Funstigators. The band consisted of Steve Buratowski, Mark Crimmins, Ray Gonzalez, Kevin Hensley, Chuck Steidel, and Charles Sullivan. All were class of 1984 and, and except for Charles, joined the station as DJs soon after arriving at Princeton. Mark, Chuck, and Charles were roommates, and as far back as freshman year one of their favorite things to do on weekends was to get some cheap beer and play music. Chuck and Mark had guitars, and Charles played one of those tiny squeaky Casiotone keyboards that were popular in the ’80s, using an overturned trashcan as a stand.

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“Pretension Ltd”, “Vast Bunch of Grapes”, and Spin Magazine honors, by Chris Mohr

Chris at WPRB in Fall t-shirtI first started listening to WPRB in the winter of 1980-1981.  I was bored to tears with the sameness of the dinosaur rock of WMMR, WYSP, and WPLJ.  So here was this cool station down at the other end of the dial that played Elvis Costello, Devo, and all sorts of other stuff that was never played on other stations.  It was tremendous.

The summer of ‘81 I listened to WPRB as much as eight hours a day.  I did jigsaw puzzles and listened to Tom Burka, who played a new album every day at noon, Bill Rosenblatt, Alan Flippen, Jordan Becker, and Mark Dickinson (I think), who were the regular rock DJ’s.  The airsound was excellent–polished but not too professional, loose enough to be entertaining but yet everyone knew what he was doing (I don’t recall any women DJ’s that summer.)

That fall I wrote to Bill Rosenblatt to say how much I liked the station and to ask whether it was a professional station.  It wasn’t clear once the school year started, since there seemed to be a larger airstaff.  To my delight, he wrote back and explained that WPRB was in fact run by Princeton students and that its studios were in the basement of a dorm called Holder Hall, which at that point was still a sophomore slum.
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