Bill Rosenblatt Archives

LISTEN: WPRB Aircheck from 1982

With huge thanks to Listener Larry in Somerville, here’s a WPRB aircheck from 1982, featuring DJ Bill Candee spinning hits of the day by Roxy Music, The Jam, the Waitresses, Dead Kennedys, Buzzcocks, and more.

[Download]

Unfortunately, due to Draconian copyright rules, we had to cut all of the music out of the recording presented here, but you still get Bill’s sparking DJ personality, as well as a barrage of great WPRB-produced spots for long-gone (but never forgotten) Princeton businesses like The Music Cellar, Titles Unlimited, and Lavake Jewelers.

The Era of the Derek

[Text: Bill Rosenblatt ’83]

WPRB is one of a very few student-run radio stations in the country with a commercial license, meaning that it can sell airtime. The station has always sold ads, but the highest level of ad sales was undoubtedly the early-mid 1980s, and the man responsible for this was Derek Berghuis ’83 – a living legend in WPRB history.

Derek – his last name is pronounced “Berg-hice” – was drawn to WPRB by his brother Brian Berghuis ’81 and Brian’s friend Ashley Ellott ’80, respectively the station’s Business Manager and Station Manager, and all alums of the same prep school in Toronto, Canada. He got on air quickly during his freshman year as a member of the news department and as the “news sidekick” on a show called WPRB Weekend, which Program Director Jason Meyer ’80 did with Ellott and Derek as a commercial-sounding “chatty morning show” on Saturday mornings. WPRB Weekend left the airwaves when Ellott and Meyer graduated. Derek did not find his position as Mercer County News Editor very exciting, so he switched to sales.

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The Musical Box, and Prog vs. Punk at WPRB

[By Bill Rosenblatt]

When I first showed up at WPRB in the Fall of 1979, the station’s musical center of gravity was shifting from progressive rock to punk and new wave. I was a prog fanatic – thanks in part to listening to WPRB during my senior year of high school in Philadelphia, especially late at night when the signal was stronger (this was before the early 1990s power increase) and DJs were more likely to play 10-minute epic prog tracks. But by the time I had gone through DJ training, I was one of the few remaining people who was still into prog. So I started a specialty show called “The Musical Box”, named after an early Genesis tune, which focused on prog rock as well as jazz-rock fusion. I believe I did the show from 1980 through 1982. Later on, Kevin Boyce ’83 joined me as cohost.

LISTEN: Musical Box Promo #1 (featuring stylish use of “Heart of the Sunrise” by Yes.)

LISTEN: Musical Box promo #2 (with great re-purposing of “California Über Alles ” by the Dead Kennedys”

We had an on-air “rivalry” between Mark Dickinson ’84 and myself. Mark was the resident expert on hardcore punk; he did a specialty show on it called “Decline and Fall”. The rivalry was “Punk is not music, the musicians can’t even play their instruments” vs. “Prog is pretentious, self-indulgent dinosaur music that isn’t real rock ‘n’ roll.” It was nothing personal; I had great respect for Mark, and he even got me to fill in for his show once.

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LISTEN: I.R.S. Records Tax Day Giveaway promo

Here’s a promo for an early 80s record giveaway coordinated between WPRB and the once-omnipresent I.R.S. Record Label. Listen carefully for recorded evidence of The Music Cellar—a great record shop that existed in the basement of Titles Unlimited booksellers, at the Princeton Shopping Center.

Promo voiced by Jordan Becker ’82, digitized by Bill Rosenblatt ’83.

WPRB at the DNC, Sting from the Police, and Freeform vs. Format

By Jordan Becker

I started at WPRB during the second semester of my freshman year in 1979. The ability to have the entire record library—and it was still all vinyl—at my disposal was intoxicating. Unless that was the fumes from the records.

At the time, the station’s rock programming was still very much beholden to the freeform model of the late 1960s-early 1970s. In fact, to my memory, the only requirement that we had was the obligation to play a certain amount of jazz during a rock show. That all changed, though, when Ashley Ellott became station manager, and Jason Meyer became program director. They attempted to turn the rock programming into something more consistent and more rock oriented. To me, there is something to be said for listeners having a general sense of what they might hear when they turn on the radio, and having some consistency from day to day and time slot to time slot theoretically results in listeners staying with the station for longer periods. On the other hand, they also insisted that we use the slogan “Your Music,” which was generally reviled—it might have worked at a professional commercial station, but was a bad idea for a college radio station.

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Pierre Moerlen (Gong) Interview, 1980

By Bill Rosenblatt ’83

This was my first ever interview with a musician on the air. There I was, a wide-eyed sophomore, treating this obscure French drummer like he was a huge rock star. The drummer was Pierre Moerlen, leader of Gong. They were in Princeton for a WPRB-sponsored stop at Alexander Hall (now Richardson Auditorium) on their first US tour ever.

[LISTEN or DOWNLOAD: Pierre Moerlen interview, 8.28.80]

[Digitized 11.25.14 by Bill Rosenblatt]

If you have no idea who Gong was, you are far from alone. Gong was originally a band from France that started in the late 60s, led by Australian guitarist/singer Daevid Allen, formerly of the seminal British psychedelic band Soft Machine. They had a cult following through the early-mid 70s as a wacky, spaced-out post-hippie band, along the lines of early Pink Floyd (but zanier) or Hawkwind (but softer and proggier). Gong’s “Radio Gnome Invisible Trilogy” of 1973-74 is its best-known work and remains a favorite of mine to this day. (more…)

Early 80s Tin Lizzie Garage Commercial

The Tin Lizzie Garage was a local bar (later strip club) in Kingston, New Jersey that advertised with WPRB for a spell during the 1980s. Here’s an ad from that era, voiced by Bill Rosenblatt ’83, John Bailo ’82, and Mike Webber ’81.

Bill Rosenblatt recalls:

[WPRB] didn’t have that much to do with the Tin Lizzie Garage – it was a fairly divey bar in a strip mall in Kingston that usually had cover bands, Bruce Springsteen wannabes, that kind of thing. They ran some ads; we hardly ever promoted any of the music. There was one exception, though: the Dixie Dregs. (more…)

“Pretension Ltd”, “Vast Bunch of Grapes”, and Spin Magazine honors, by Chris Mohr

Chris at WPRB in Fall t-shirt I first started listening to WPRB in the winter of 1980-1981. I was bored to tears with the sameness of the dinosaur rock of WMMR, WYSP, and WPLJ. So here was this cool station down at the other end of the dial that played Elvis Costello, Devo, and all sorts of other stuff that was never played on other stations. It was tremendous.

The summer of ‘81 I listened to WPRB as much as eight hours a day. I did jigsaw puzzles and listened to Tom Burka, who played a new album every day at noon, Bill Rosenblatt, Alan Flippen, Jordan Becker, and Mark Dickinson (I think), who were the regular rock DJ’s. The airsound was excellent–polished but not too professional, loose enough to be entertaining but yet everyone knew what he was doing (I don’t recall any women DJ’s that summer.)

That fall I wrote to Bill Rosenblatt to say how much I liked the station and to ask whether it was a professional station. It wasn’t clear once the school year started, since there seemed to be a larger airstaff. To my delight, he wrote back and explained that WPRB was in fact run by Princeton students and that its studios were in the basement of a dorm called Holder Hall, which at that point was still a sophomore slum.
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