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1980s, Page 4

Friday WPRB DJ Pinup: Evie Ward!

Years on air: 1978-1984 (took time off to pursue radio career before graduation.)

Favorite bands: Bauhaus, Killing Joke, Wire, Flipper, Pere Ubu, Joy Division, P.I.L., Throbbing Gristle.

Memorable on-air moment: When the AP wire sounded OMG alert to announce John Lennon’s death …and walking home and hearing “Imagine’ from every dorm window…

Advice for current WPRB DJs: Have fun, use the experience to learn how to speak without ever saying “um” or “er” , and don’t be like me and turn the ‘PRB hobby into a career as a DJ.



Pierre Moerlen (Gong) Interview, 1980

By Bill Rosenblatt ’83

This was my first ever interview with a musician on the air. There I was, a wide-eyed sophomore, treating this obscure French drummer like he was a huge rock star. The drummer was Pierre Moerlen, leader of Gong. They were in Princeton for a WPRB-sponsored stop at Alexander Hall (now Richardson Auditorium) on their first US tour ever.

[LISTEN or DOWNLOAD: Pierre Moerlen interview, 8.28.80]

 

[Digitized 11.25.14 by Bill Rosenblatt]

If you have no idea who Gong was, you are far from alone. Gong was originally a band from France that started in the late 60s, led by Australian guitarist/singer Daevid Allen, formerly of the seminal British psychedelic band Soft Machine. They had a cult following through the early-mid 70s as a wacky, spaced-out post-hippie band, along the lines of early Pink Floyd (but zanier) or Hawkwind (but softer and proggier). Gong’s “Radio Gnome Invisible Trilogy” of 1973-74 is its best-known work and remains a favorite of mine to this day. (more…)

Friday WPRB DJ Pinup: Ray Gonzalez!

[AKA “The Death Ray”]

Years on air: 1982-84

Favorite Bands: REM, The Fleshtones, The Funstigators

Memorable on-air moment: Terrible live on-air interview with Wall Of Voodoo. Stan Ridgway wasn’t there for some reason and I was completely unprepared and ill-equipped to speak with the rest of the band. I made a couple of lame jokes and ended up pissing them off.

Advice for current WPRB DJs: This was originally passed along to me from Billy Disease (Kevin Hensley): Never just play one Ramones track when you can play two back-to-back.


“WPRB and Me”

[By Chris Fine]

LISTEN: Mic breaks and news reports from Chris Fine’s rock show on WPRB, February 25th, 1980.

 

Introduction
I write these words about WPRB because I love the station. The people of WPRB were some of my best friends during my years at Princeton. WPRB was the single best activity (including courses – as my transcript reflects) in which I participated during my undergraduate years. My interest in radio, and technology in general, dates back well before my journey to Princeton University in September, 1976. Encouraged by my father, who was an audio engineer and inventor, I started tinkering with electronics and chemistry at a young age. Predictably, a number of shocks and small fires resulted – but fortunately no major injuries, and my family was always patient with me.

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1989 NCAA Tournament interviews with Pete Carril and Bob Scrabis

princetongeorgetownstub

March 17, 1989 is the date of one of the most famous first round NCAA Tournament games of all time – 16 seed Princeton’s one point loss to top-ranked powerhouse Georgetown.

While the contest has only grown in legend since it was played, re-airing hundreds of times on ESPN Classic and being called “The Game That Saved March Madness” by Sports Illustrated, the following recordings have been heard by only an exclusive few since original broadcast.

From WPRB’s transmission of this famous game, here are pre-game interviews with senior captain Bob Scrabis and head coach Pete Carril.

Both were taped between Selection Sunday and the Tigers’ trip to Providence.

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Two “Thanx IV Sharin'” listener postcards.

TIVS

Thanx IV Sharin’ was an Internet phenomenon in a pre-Internet world.

A talk show that aired Sunday nights into Monday mornings on WPRB in the mid-to-late 1980s, the program was one of the few in the station’s history to take live phone calls from listeners – a jerry-rigged hand-crafted “seven second delay” involving two reel-to-reel machines and a well-placed pencil pushed into a wall the only safety net keeping potential obscenity from getting over the air.

Since the immediacy of the computer age and social networking was at least a decade away, interaction between audience and the show’s many hosts beyond the telephone line was primarily made up of letters sent to the station during the week (a fair percentage courtesy the incarcerated) that would then be read on the air – often requesting other fans of the show to contact them directly.

If you listened to Thanx IV Sharin’ on a regular basis, repeat callers began to pop up frequently, almost all under aliases I can still rattle off today such as “Dad,” “Packy Vomit,” “God,” “Jane Pod,” her brother “Bill Pod” and “Chris Makepeace” (not the Canadian actor of the same name).

I can only imagine how this underground community of unconnected misfits would have flourished further with the Internet at its disposal.

As a grade schooler growing up in central New Jersey, I would try to stay up late on Sunday nights, pressing “record” on the longest cassette I had when my eyes became heavy so I could listen to as much Thanx IV Sharin’ as possible on the way to school the next day.

I have fond memories of walking around Europe with my family one summer with a tape (or two) of TIVS in my Walkman on repeat.

Even though I would become a DJ at WPRB in 1988 and have always been fairly comfortable speaking into a microphone, I was terrified of calling Thanx IV Sharin’ and could never bring myself to phone in. In my young mind the show’s rotating hosts were impossibly quick-witted and I’ve always been a subpar improviser.

Going through old boxes at my parents’ house recently, I’ve found several letters I started writing to “Arlo,” “Beetle Bailey,” “Gordon Wu” and “Golf Ball Head” Ken Katkin that I never felt were decent enough to add a stamp to.

As a longtime admirer of Thanx IV Sharin’ from afar, I’m delighted to instead present this pair of beautiful listener postcards sent to the station during the show’s initial run. To me they exemplify how creative and devoted the show’s listeners were.

You can read some of Ken Katkin’s Thanx IV Sharin’ remembrances here.

If you have old airchecks, recordings or ephemera related to Thanx IV Sharin’, please contact us as they would make for great WPRB History posts!

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Commercial: The Clash at Rider College

I spent last summer in a dust mask so as to catalog WPRB’s collection of 1000+ 1/4″ reels. Some of them were moldy or suffering from sticky shed syndrome, while others were frustratingly mislabeled. With the help of the great Scott Konzelmann (aka “Chop Shop”), we also revived the station’s aging Otari reel to reel deck (whose primary function had sadly been reduced to ‘doorjam’ here at the station), and began digitizing reels.

For the initial test of the rejuvenated Otari, I needed a “junk reel”, for lack of a better term—something that no tears would be shed for in the event the Otari chewed it up, so I found something anonymous-looking which I figured was expendable.

WRONG! After racking up a reel from an unmarked box, I was rewarded with this great (albeit pretty dorky) commercial for The Clash‘s appearance at Rider College circa 1982. (I’m guessing the year based on the “Should I Stay or Should I Go” music bed. That song is from Combat Rock, which came out that year.)

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The John Lydon (Johnny Rotten) Station ID

Here’s the Public Image Limited frontman, former Sex Pistol, and dairy product spokesman laying it all on the line for WPRB. For a time, personalized station IDs from popular college radio acts were frequently circulated to stations in a (corny but probably pretty effective) effort to increase a band’s airplay. The John Lydon/PiL ID likely coincided with the release of “Album” in 1986.

 

Digitized by Aida Garrido.